Stills

THE MAGNIFICENT AMBERSONS: THE STILLS

In the 1940s when a film was made at a major studio—and this holds true even today— for publicity purposes photographs or “stills” were prepared.  These include formal photographs of the stars taken in a photography studio often dressed as their characters and more often than not photographed prior to the picture going into production. Some of these have no relation to the film but are just a head shot of a star used to publicize a film.   For example, the Orson Welles head shots were prepared when he came to RKO and were used to publicize both CITIZEN KANE and THE MAGNIFICENT AMBERSONS.  Photographs are then taken of the film in production showing the director, technical people, etc. in the process of making the movie. Finally photographs are taken on the set which attempt to duplicate as best as possible in still photographs the scenes being shot by the film camera. To do this the still photographers will often stand beside the camera and take their photographs before and after a scene is photographed or during camera rehearsals. Again, this is done to make the photograph as close a representation of a filmed scene as possible.

To the best of my knowledge the complete studio  set of photographic stills for THE MAGNIFICENT AMBERSONS comprised 275 numbered photographs. This master set was prepared after filming was completed.  Before that, stills – some of which were omitted from the studio set – called candids and production stills were sent out to various publications to promote the film and, so, were numbered differently and never on the still itself.  Example of these numberings are B4273-3 or N4237-1.    Therefore, there could be as many as 600 – or perhaps even more – stills for THE MAGNIFICENT AMBERSONS.  What I have here is over 475; and, trying to be as complete as possible, 14 were scanned from publications and with these therefore there is a noticeable loss in quality.  In addition,  I have organized this material first by Photography Studio  (OW, JC, TH , AB, DC.) and (MA-ADV), second by production (MA-PUB-A) and finally scene duplication  (MA-).

The studio  set numbers used here are not to be confused with the  sets of stills distributed to theaters. These stills had their own numbering and included various stills from the original studio set.   This is a reason why many stills do not have the original numbers as they were removed for this “theater set” which did not have their identification number on the still itself but below to the right of the film’s title.   As theaters were required to purchase these stills, few returned them to the studio and, over the years they became available to collectors.    For this site I have tried my best to locate and organize AMBERSONS stills  by their original studio identification numbers and, when I couldn’t find  one, I placed the still nearest photographs from the same scene or performer.

What is of interest  is that the scene duplication or “MA” still-set photographs contain stills from almost every scene deleted from the 131 minute “rough Cut”  and even scenes that  Welles cut from his  “rough cut” and, so,  are the only representations of these lost scenes we have. (Welles did have a set of frame enlargements but most of these are now lost. )  There is a reason for this.  The complete studio set was compiled for the film’s planned April 1942  release, therefore much of this material was sent out to publications for articles written for that April release.  Therefore  these articles contain stills from scenes that do not exist in the film’s release version.  In fact, many of the stills for deleted scenes have found their way into subsequent articles, advertisements and even Home Video packaging.

 

STUDIO PHOTOGRAPHY STLLS PRIOR TO PRODUCTION

 

ORSON WELLES 50

ORSON WELLES 51

ORSON WELLES 52

ORSON WELLES 53b

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RAY COLLINS B Series (B41813-0)

RAY COLLINS 4G

RAY COLLINS 7G
RAY COLLINS 9C

TIM HOLT 19

TIM HOLT 30

TIM HOLT 255

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TIM HOLT

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ANN BAXTER B Series (B4246-9)

ANN BAXTER

ANN BAXTER 4C

ANN BAXTER 5C

ANN BAXTER 8C

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ANN BAXTER 15C

ANN BAXTER 38C

ANN BAXTER 41C

ANN BAXTER 48C

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DOLORES COSTELLO 19B

DOLORES COSTELLO 21B

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DOLORES COSTELLO 9B

DOLORES COSTELLO 112
DOLORES COSTELLO    R42413-6

STUDIO PHOTOGRAPHY STILLS IN COSTUME

These formal studio photographs were usually distributed to publications before and after a film goes into production in order to create an awareness with the general public of the movie and its cast. A few of the stills in this set were taken on set.

 

MAGNIFICENT AMBERSONS ADV 1

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MAGNIFICENT AMBERSONS ADV 27

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MAGNIFICENT AMBERSONS ADV 29
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MAGNIFICENT AMBERSONS ADV 46
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MAGNIFICENT AMBERSONS ADV 51

IN PRODUCTION STILLS

These production photos were used in pre-release publicity prepared for general interest and trade publications.  Most were taken on the set while the film was in production

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ORSON WELLES 93a
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MAGNIFICENT AMBERSONS PUB A3
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ORSON WELLES 95a
MAGNIFICENT AMBERSONS PUB A5
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MAGNIFICENT AMBERSONS PUB A6
ORSON WELLES 97a
MAGNIFICENT AMBERSONS PUB A7
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MAGNIFICENT AMBERSONS PUB A8
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MAGNIFICENT AMBERSONS PUB A10
MAGNIFICENT AMBERSONS PUB A11

MAGNIFICENT AMBERSONS PUB R SERIES
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MAGNIFICENT AMBERSONS PUB A12
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MAGNIFICENT AMBERSONS PUB A16
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MAGNIFICENT AMBERSONS PUB A19
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MAGNIFICENT AMBERSONS PUB A23
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MAGNIFICENT AMBERSONS PUB A42

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MAGNIFICENT AMBERSONS PUB A43
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MAGNIFICENT AMBERSONS B Series (B42323-5)
MAGNIFICENT AMBERSONS PUB A54
MAGNIFICENT AMBERSONS R Series
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MAGNIFICENT AMBERSONS PUB A69
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MAGNIFICENT AMBERSONS PUB A74a

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MAGNIFICENT AMBERSONS PUB A75
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MAGNIFICENT AMBERSONS PUB A77
MAGNIFICENT AMBERSONS B Series (B42325-7)
MAGNIFICENT AMBERSONS PUB A79
MAGNIFICENT AMBERSONS PUB A80
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MAGNIFICENT AMBERSONS PUB B Series
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MAGNIFICENT AMBERSONS 1890 PHILION ACHILLE
MAGNIFICENT AMBERSONS N Series (N4273-1)
MAGNIFICENT AMBERSONS N Series (N4273-5)

 

MAGNIFICENT AMBERSONS  1890 PHILION ACHILLE
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MAGNIFICENT AMBERSONS PUB A90
MAGNIFICENT AMBERSONS PUB A91
MAGNIFICENT AMBERSONS PUB A92A

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MAGNIFICENT AMBERSONS R Series

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MAGNIFICENT AMBERSONS PUB A95A
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MAGNIFICENT AMBERSONS PUB A99
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MAGNIFICENT AMBERSONS PUB A100
MAGNIFICENT AMBERSONS (ASE 39)
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MAGNIFICENT AMBERSONS B Series (B42325-6)
MAGNIFICENT AMBERSONS PUB A103
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MAGNIFICENT AMBERSONS PUB A104
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MAGNIFICENT AMBERSONS PUB A109
MAGNIFICENT AMBERSONS PUB A110
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FILM FRAME SIMULATION STILLS

This  final set of photographs  are attempts to duplicate the motion picture’s frames and are distributed when the film is released and are seen by the public in displays prepared by theaters playing the film as well as well as in  general publications including reviews.   These final set of stills eventually find their way into film journals and various book publications decades after the film’s release. (See below) These photographs are also included in what is known as press kits—along with studio prepared literature on the film, so that reviewers and anyone writing about the film can have at their fingertips information about actors, the plot and various other facts related to the film.  Included in a press kit is a selection of photos for publications. As mentioned earlier this still-set contains stills from almost every scene deleted from the 131 minute “rough Cut.”  In fact there are stills even for scenes that  Welles cut from his  “rough cut” and, so,  they are the only representations of these lost scenes we have.

MAGNIFICENT AMBERSONS 1
MAGNIFICENT AMBERSONS 1B
MAGNIFICENT AMBERSONS 2
MAGNIFICENT AMBERSONS 3
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MAGNIFICENT AMBERSONS 15
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MAGNIFICENT AMBERSONS 18

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MAGNIFICENT AMBERSONS 20
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MAGNIFICENT AMBERSONS 24
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MAGNIFICENT AMBERSONS 40
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MAGNIFICENT AMBERSONS 46
MAGNIFICENT AMBERSONS 46b
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MAGNIFICENT AMBERSONS 66
MAGNIFICENT AMBERSONS 67
MAGNIFICENT AMBERSONS B Series (B4235-5)
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MAGNIFICENT AMBERSONS (340-00)
MAGNIFICENT AMBERSONS 70
MAGNIFICENT AMBERSONS 71
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MAGNIFICENT AMBERSONS 80
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MAGNIFICENT AMBERSONS 82
MAGNIFICENT AMBERSON 83
MAGNIFICENT AMBERSON 84
MAGNIFICENT AMBERSON 85
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MAGNIFICENT AMBERSON 89
MAGNIFICENT AMBERSON 90
MAGNIFICENT AMBERSON 91
MAGNIFICENT AMBERSON 92
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MAGNIFICENT AMBERSONS 99
MAGNIFICENT AMBERSON 101
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MAGNIFICENT AMBERSON 103
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MAGNIFICENT AMBERSON 105
MAGNIFICENT AMBERSON 106
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MAGNIFICENT AMBERSON 111
MAGNIFICENT AMBERSON 112
MAGNIFICENT AMBERSON 114
MAGNIFICENT AMBERSON 115
MAGNIFICENT AMBERSON 117

MAGNIFICENT AMBERSON 118
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MAGNIFICENT AMBERSON 122

MAGNIFICENT AMBERSON 125

MAGNIFICENT AMBERSON 127
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SPECIAL AT HOME PHOTOGRAPHS

This rare set of ‘The Star At Home” photos taken of Dolorous Costello at the time she signed with RKO for THE MAGNIFICENT AMBERSONS.  Costello had been off the screen for a number of years and these photographs were used to re-ignite public awareness of the actress.  They were usually used in the Fan Magazines.

DOLORES COSTELLO 21b
DOLORES COSTELLO 25b
DOLORES COSTELLO 28b
DOLOROS COSTELLO 28b
DOLORES COSTELLO 29b
DOLORES COSTELLO 30b
DOLORES COSTELLO 32b
DOLORES COSTELLO 33b
DOLORES COSTELLO 34b
DOLORES COSTELLO 35b
DOLORES COSTELLO 37b
DOLORES COSTELLO 38B
DOLORES COSTELLO 39B
DOLORES COSTELLO 40B
DOLORES COSTELLO 45B
DOLORES COSTELLO 46B
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THE PRINT MEDIA AND AMBERSON STILLS
The Contemporary publications below are an example of how AMBERSONS stills were used to publicize  THE MAGNIFICENT AMBERSONS during it’s initial release.    As you will notice, several of the articles include stills from scenes removed from the release print.  Since it was initially planned that a fined tuned version of Welles rough cut would be released in April 1942,  the RKO publicity department pushed for these stories to appear in conjunction with that aborted pril release.   I have included the complete Photoplay article as it summarizes the film’s screenplay and not the theatrical cut of the film.

AMBERSON STILLS 76 YEARS LATER

Over 70 years after THE MAGNIFICENT AMBERSONS was originally released magazine and newspaper articles continue to appear about the film utilizing AMBERSONS stills.  Below are two examples.  Of note is that in both examples, stills from cut scenes are used.
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